The URWERK UR-210 Amadeus Watch Review

The URWERK UR-210 Amadeus Watch Review

The URWERK UR-210 Amadeus Watch Review

The URWERK UR-210 Amadeus is definitely an crazy watch. 

I only say this with all of due respect to the creators, Martin Frei and Felix Baumgartner, and I'm sure they won't disagree beside me about this statement. It's bold, massive, heavy, razor-formed, completely from watchmaking standards, very present around the wrist and from being discreet. Don't misunderstand me though, there's no damaging feelings here. The UR-210 Amadeus may be an ultra-statement watch, it demonstrates a serious focus on detail, an amazing degree of decoration as well as hands-finishing, a sensational and different display of times, driven with a complex mechanical engine. This watch is filled with contrasts, a kind of fusion between baroque and science-fiction?- Like if Johann Sebastian Bach was the captain from the USS Enterprise.

The URWERK UR-210 Amadeus Watch Review

At the bottom of this excellent bit of horological art, there's a work of art or at best a wrist watch that people, at Monochrome, consider as a result. For that story, Frank and that i literally needed to battle to decide who definitely are the main one to examine this watch, a scenario that wound up in certain shared wrist-time. Anyway, back on subject. This Amadeus version is really a visual evolution from the URWERK UR-210S Full Metal Jacket, which doesn't make reference to Kubrick's film but fully metallic attire from the watch. This it was probably the most technical development of Felix Baumgartner and Martin Frei, both when it comes to technology and design. As the display (more about that subject later) is equivalent to all UR-210 editions (begin to see the AlTIN or even the Clou de Paris versions), the exterior armor ¡§C a voluntary mention of the military tanks differs, made entirely from stainless, bracelet incorporated.

This gave the UR-210 a technical and monochromatic look, and simultaneously, more steamlined the bracelet is nearly melded using the situation but additionally a much more modern, more sci-fi look. There's a good amount of metal about this watch, unusual shapes and different proportions that induce an effective horological UFO. This watch appears like little else available on the market and this is why it's this type of success. Robotically and display-wise, the UR-210 is way from standard. With different traditional automatic movement, the way in which time is indicated is extremely complex yet intuitive to see.

Centrally positioned may be the fly-back minute hands. 

This hands moves from  to 60 more than a 120 degree arc, and suggests the particular minute. Coming from  to 60, it carries the hour digit, and when it flies to zero, it releases the hour digit and accumulates the following digit if this starts at zero again. A really ingenious system rotates the 3 hour satellites, therefore the correct hour digit will be facing up, and able to be selected up through the fly-back hands. The fly-back minute hands, that also forms a frame for that hour satellites, is milled from solid aluminum and weighs just .302 grams. It's counter balanced with a weight, so it's balanced on its axis.

Also around the dial are a couple of indications around the two top corners: left is really a winding efficiency indicator and right may be the power reserve indicator. The winding efficiency indicator is one thing completely to URWERK and enables the wearer to regulate the winding of his watch to his/her very own activity level. Around the back is really a selector which enables you to definitely change between full winding capacity, reduced winding capacity and lastly, to no winding whatsoever.

To celebrate the twentieth anniversary of the trademark (launched at Baselworld 1997), Frei and Baumgartner have made the decision to make use of certainly one of their flagship models, the advanced UR-210S, to produce a provocative statement, with different complete anachronism. With this retro-advanced move, the UR-210 was transformed through the expert hands of the gifted engraver, Florian Giüllert. The decoration is extremely publish-Renaissance 17th-century, but on the determinedly contemporary structure, comments Florian. The swirling pattern of acanthus leaves is most appropriate with this style, contrasting using the angular appearance of the timepiece. We've merged the situation, the crown protection and also the bracelet into one unit to produce a fantastic piece. I had been because of the entire watch to operate on and that i required it over to make a design in steel.

The URWERK UR-210 Amadeus is definitely this impressive engraving work, put on most exterior areas of the timepiece situation, bracelet, crown protection thus covering all visible areas of the timepiece when worn. The end result should be considered from your artistic perspective, before any judgement can be created around the appearance. The job completed to achieve these patterns is very impressive. The metal is chiseled, hammered, engraved, chased and it is nothing beats an industrially-made surface, which we are utilized to seeing in watchmaking. No satined or polished finishings here, the metal is rough, textured and feels brutal, contrasting using the delicacy from the acanthus leaves motifs.

This painstaking work required Florian Giüllert greater than 260 hrs to accomplish.

 Probably the most surprising side of the engraving jobs are the way it seems to merge using the sharp lines and angular shapes from the advanced UR-210. While highly surprising initially, the URWERK UR-210 Amadeus takes another dimension when worn, being subtler and much more consistent than we initially expected. This decorum makes much more sense after Martin Frei explains it for you: we have evolved a strikingly contemporary perception of indicating time, yet it is dependant on a 17th-century concept (the Baroque era). I begin to see the UR-210 Amadeus like a continuum as opposed to a contradiction. The UR-210 originates full circle?-